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With music documentaries, this tradition began with DA Pennebaker’s 1967 Bob Dylan film Don’t Look Back followed by Maysles brothers’ Gimme Shelter and Michael Wadleigh’s Woodstock (both 1970). We can view Let It Be as a continuation of the fine tradition of cinema verité – documentaries that sought to represent the truth as objectively as possible. However, with Get Back, the initially impressive gloss of the restoration project soon fades as the real fascination lies in the raw and intimate footage of the original project. In all these fields, “more” is equated with “best”. Pre-publicity for the Get Back project emphasised the work that had gone into restoring the original footage.
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Thanks to an array of fresh footage, Jackson’s film sheds new light on this period and the band.
#Made in the am album chords series
Writing in the New Musical Express, journalist Alan Smith said the record would stand as a “cheapskate epitaph, a cardboard tombstone, a sad and tatty end” to a glittering and epoch-defining musical career.īut now a new documentary series by director Peter Jackson has re-imagined the film in three lengthy and detailed segments. The British Film Institue’s Monthly Film Bulletin regarded it as “rather tedious” and the response to the accompanying album fared no better. Reaction to the film was lukewarm at the time. It also includes footage of the legendary rooftop concert by the group, which would be their last public performance together. Filmed in January 1969, the documentary “Let It Be” follows The Beatles rehearsing and recording songs for their 12th studio album of the same name.